The Hunger Games is a series of young adult novels written by Suzanne Collins. The series consists of three books, The Hunger Games, Catching Fire, and Mockingjay. All three novels are narrated in the first person, primarily from the perspective of Katniss Everdeen.
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The Hunger Games is a young adult dystopian novel by the American writer Suzanne Collins. Facing near-certain death, sixteen-year-old Katniss Everdeen volunteers in her younger sister’s place to become a participant in the 74th annual Hunger Games, a competition in which several children from each of the twelve districts surrounding the Capitol are forced to fight to the death.
About The Hunger Games Pdf Book 1 Download
Could you survive on your own in the wild, with every one out to make sure you don’t live to see the morning?
In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV.
Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she steps forward to take her sister’s place in the Games. But Katniss has been close to dead before—and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weight survival against humanity and life against love.
I was forced into watching Mockingjay: Part II this weekend. To clarify, I watched the second part of the last Hunger Games movie without having read any of the books, without having watched any of the movies.
Needless to say, I was confused as fuck.
So many questions and thoughts ran through my mind as I watched the movie. Why is Peeta so thin? Did that huge-ass bruise really disappear from her neck the next day? Is Katniss supposed to look like she’s about to burst into tears at any given moment, or is that just Jennifer Lawrence? Woody Harrelson is in this movie? Hey, it’s Margaery from Game of Thrones! Who’s President Snow? What’s a Mockingjay? Lesser Hemsworth is pretty hot.
Well, you get the point. I know how the book ended and I still have no idea who anyone is, and neither do I know their names, with the exception of Peeta, Gale, President Snow, that Coin woman, and Katniss. Of course, knowing how the book ended means I probably should read the first book, so here I am, the last person on earth to read The Hunger Games.
And it was good. It was really good. My sister was right (she usually is).
What else can I say that hasn’t already been said? I loved it. The world building was interesting (although it helps that I’ve seen what it looks like on the big screen), and Katniss is awesome. One of the things my sister didn’t like about the first movie is that the on-screen Katniss was different from her portrayal in the first book. I haven’t watched that movie, but I kind of see how the screen portrayal of Katniss might have bothered her. Book-Katniss is strong, kick-ass without being a Mary Sue. She has a fierce love for her sister, and she is manipulative and cunning. She uses the prospect of romance to protect herself, she has no qualms about using people, and I love that about her.
My “Epic Book Recipe” Checklist for The Hunger Games:
1. A sharp and intelligent heroine with just the right amount of emotion who gives in to absolutely nothing and no one?
2. A sweet and sensitive hero who loves and supports the heroine unconditionally?
3. An original setting with a unique and thrilling plot?
4. A couple of earth-shattering shocks every now and then to keep the readers’ mind reeling?
5. Extraordinary side characters from interesting backgrounds who possess the much-needed Voice of Reason and/or Humor in every crisis?
6. Desperate circumstances that force me to bite my nails in anxiety?
7. An ending that provides the perfect premise for the sequel but also concludes the present book?
Like I said, EPIC.
Absolute solid gold standard. Phenomenal. Don’t let the movies pollute your memories of this book, it is OUTSTANDING.
For a long time now, I’ve wanted to rewrite my review of The Hunger Games so that I could tell you why I don’t just love this series, but why I also think it’s important. It is beautiful for the unflinching way it shows you, as a reader, your own willingness to disregard people who are different from you – how you are the Capitol audience. But, it is important as a story about girls. I had not initially thought about articulating that point because it seemed so obvious to me, and I am bad at recognizing my own assumptions. Lately, though, I have seen so many people, both men and women, acting as though this remarkable book is a piece of fluff that I realized maybe what I love most about The Hunger Games is not as obvious as it seems. To me, this series is important because it is a landmark departure from the traditional story about girls.
Too often, stories objectify women. But the word “objectify,” I’ve realized, has almost no meaning for someone who has either not experienced objectification or who hasn’t really recognized it in her own life, so I’m going to be more descriptive here. When I say stories objectify girls, I mean they talkaboutgirlsasthoughtheyarefleshlights that sometimes have handy dandy extra gadgets such as an all-purpose cleaning mechanism and food dispensing function.
Sidebar: if you are inclined to now google the word “fleshlight,” I encourage you to consult the urban dictionary definition here before doing that, as the google results will probably be NSFW and also NSF those of you whose parents might check your browsing history. Do parents know how to do that? Sorry for the sidebar, I am just intending to make an explicit point, and now I am feeling uncomfortable about what that explicit point might mean to the target audience of this book. Girls, you are probably badass like Katniss, and you are definitely not a fleshlight.
Back to my rant about typical objectification in storytelling: often the
girls fleshlights have fancy outer designsbecause it makes the fleshlights happy to be fancy. Sometimes they have skeeeeeery castration functions, and other times they work as helpful databases for music or video games or whatever UR into. A lot of times, I will hear people refer to this type of objectification as treating women like they are just a vagina, or a pair of boobs, but I think there is something to the stories that is less human and more sexbot machine than that complaint covers.
So, in all of those links, I have tried to include books written by men and by women because I think that women think of ourselves this way almost as often as men think of us this way. The link from The Ugly Truth, for example, shows both a man and a woman treating women like fleshlights. I have also included both books I love and books I hate because, ultimately, I do think girls adopt this story about themselves, and I also think we can pretty easily identify with a male protagonist and disregard female characters who look nothing like humans. For example, The Sun Also Rises is one of my favorite books in the whole world, even though it does not contain any women who resonate with my experience of humans. And I don’t think it’s necessarily bad that I can enjoy stories where women are only fleshlights, as long as I can still be whoever I want to be without a positive role model. I think it’s good to enjoy stories and take what we can get from them, and so I don’t regret that I love The Sun Also Rises.
In seeing some male reactions to The Hunger Games, I am reminded that most men do not identify with female protagonists the way women have been trained to identify with male protagonists. This seems like a huge disadvantage for men to be in, to me, and if you are a man reading this review, I would ask you to check out your bookshelves. How many female authors are on your shelves? How many of the books those authors wrote have no central male character? If you have a minute after that, check the shelves of a woman you are friends with and see how many of her books were written by men or have no central female character. Odds are the results will be pretty different.
The Hunger Games is such a groundbreaking and deliberate example of a woman’s perspective on war and family and even men that it floors me. I think it partly floors me because, other than Buffy, I can’t think of another example of a female character who really fights for herself in such an obvious and hopeful way. Katniss is strong and broken, and powerful in her brokenness. Collins’s image of a woman’s perspective is not, admittedly, as effortless as Moira Young’s in Blood Red Road, but its deliberateness has its own value.
It is not an accident that the story shows Katniss’s emotional growth and that Peeta, as a more emotionally whole person, facilitates her emotional growth. It is not an accident that the story does not discuss the effect Katniss has on the erectness of Peeta’s and Gale’s penises. The first is not an accident because in reality, men do not have to be the emotional cowards that the stories I’ve linked to above make them out to be. Masculinity does not have to mean emotional cowardice. The second is not an accident because the story is not from Peeta and Gale’s perspectives. Despite widespread rumors to the contrary, it is my experience that women pretty seldom think about their effect on men’s penises. Hopefully, we never think of our primary purpose in life, in the way so many stories think of it, as making penises erect. Hopefully, we never think of ourselves as gadgets that are super fun for other people.
There are so many reasons I love The Hunger Games series, and all of this is one I wouldn’t have initially even thought to say. I saw this Eleanor Roosevelt quote earlier this month, and it said, “It is better to light one small candle than to curse the darkness.” I think The Hunger Games is a candle in the overall dark narrative of girls’ perspective on life. Yes, it is also a poignant critique of reality TV and Western callousness about the catastrophes caused by industrialization in the developing world, but that, too, resonates with me in many ways because of its remarkably feminine voice. It absolutely makes sense to me that this book is not for everyone because of its violence, but I still think that it is objectively important because it shows a perspective that seems authentically feminine to me – that talks like a girl, not like a sexy, fancy gadget. I’m not saying that in my opinion girls don’t or shouldn’t ever think about being sexy or erect penises, I’m just saying that it is my experience that we think and care about many, many more things than penises, clean houses, and food, and very, very few stories are willing to tell you about that. The Hunger Games is one that does, and it does so in way that is beautiful and important.
About The Hunger Games Author
Since 1991, Suzanne Collins has been busy writing for children’s television. She has worked on the staffs of several Nickelodeon shows, including the Emmy-nominated hit Clarissa Explains it All and The Mystery Files of Shelby Woo. For preschool viewers, she penned multiple stories for the Emmy-nominated Little Bear and Oswald. She also co-wrote the critically acclaimed Rankin/Bass Christmas special, Santa, Baby! Most recently she was the Head Writer for Scholastic Entertainment’s Clifford’s Puppy Days.
While working on a Kids WB show called Generation O! she met children’s author James Proimos, who talked her into giving children’s books a try.
Thinking one day about Alice in Wonderland, she was struck by how pastoral the setting must seem to kids who, like her own, lived in urban surroundings. In New York City, you’re much more likely to fall down a manhole than a rabbit hole and, if you do, you’re not going to find a tea party. What you might find…? Well, that’s the story of Gregor the Overlander, the first book in her five-part series, The Underland Chronicles. Suzanne also has a rhyming picture book illustrated by Mike Lester entitled When Charlie McButton Lost Power.
She currently lives in Connecticut with her family and a pair of feral kittens they adopted from their backyard.
The books she is most successful for in teenage eyes are The Hunger Games, Catching Fire and Mockingjay. These books have won several awards, including the GA Peach Award.